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The Adventures of Pinocchio (Illustrated), by C. Collodi
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The Adventures of Pinocchio is a novel for children by Italian author Carlo Collodi, written in Florence. The first half was originally a serial in 1881 and 1882, and then later completed as a book for children in February 1883. It is about the mischievous adventures of Pinocchio (pronounced [piˈnɔkkjo] in Italian), an animated marionette; and his poor father, a woodcarver named Geppetto. It is considered a classic of children's literature and has spawned many derivative works of art, such as Disney's 1940 animated movie of the same name, and commonplace ideas such as a liar's long nose.
- Sales Rank: #1031133 in eBooks
- Published on: 2014-01-31
- Released on: 2014-01-31
- Format: Kindle eBook
From Publishers Weekly
Innocenti's luminous interpretation of Collodi's tale carves the action out of 19th century Italian landscapes. Clearly shown as a mocking marionette, this Pinocchio races through cobbled city scenes and then throws himself prostrate at the personor fairywhom he has most recently wronged by his hasty, thoughtless behavior. And when he becomes a real boy, the transformation is resounding: left slumped on a chair is the body of a puppet; readers may marvel that what lies so lifeless in that scene was the source of so much trouble earlier on. Enchantment reigns in the pictures, each a perfect elaboration of the text. Innocenti and Collodi are equally at home in a place where puppets have life beyond human hands, and where souls may die and live again, resurrected by the power of love. All ages.
Copyright 1988 Reed Business Information, Inc.
From School Library Journal
Grade 3 Up Librarians are often faced with the dilemma of adult patrons who frequently request this book for their children, expecting the Disney version, and, when given the original, reject it as too frightening. But the original version is filled with events which are considered frightening fare; it has frequent violent turns of fate and a jerky, wild plot. This newest version will probably come close to a happy medium between Pinocchio as he really is and as people want him to be. Both illustrations and text emphasize the buoyant, irresistible, and innocent verve of Pinocchio, who is never deterred by the often morbid events around him. The full-color illustrations, both full- and half-page, mostly feature Pinocchio, who here is a cute little marionette with a faint resemblance to his Disney doppelganger. The prose is conversational and would make a nice read-aloud choice. Kay McPherson, Central Atlanta-Fulton Public Library
Copyright 1987 Reed Business Information, Inc.
From Booklist
Gr. 2-4, younger for reading aloud. This retelling of a classic story raises a question: does modernizing and truncating the story to popularize it, lose the essence and charm of the original? The answer, of course, is, "It depends on how it's done." The classic, illustrated by Attilio Mussino, is 310 pages. For his picture-book-size, 96-page version, the editors have cut episodes, minimized details, and abbreviated the dialogue. Eliminated are such elements as the Land of the Busy Bees and notes to the reader, and nicknames have been updated (the Lovely Maiden with Azure Hair is now the Blue Fairy). The emphasis is on the magical aspects of the tale, and the heavy moral tone of the original has been replaced by a more child-friendly approach. The new full-page, turn-of-the-century-style illustrations, in watercolor, ink, and paint wash, are lively, spirited, and appealing. Certainly, the editorial changes bring a smooth flow to the story, and the attractive new look, with large print, will entice the young audience to whom Pinocchio's escapades most appeal. Isn't that what retellings should do? Julie Cummins
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
90 of 92 people found the following review helpful.
Don�t read the puppet version, read the Real Thing!
By Godly Gadfly
Of course you already know the story of Pinocchio, right? Who doesn't? Millions have been charmed by the story of the naughty puppet that wanted to become a real boy. His adventures are hardly new, as Pinocchio is in turn carved by Geppetto, rebellious against his father, disobedient to the good fairy, victimized at the hands of the deceitful cat and fox, changed into a donkey, rescued with his father in the whale, and eventually becomes a Real Boy.
But have you read the Original Pinocchio? Most people do not know that there are two versions of Pinocchio. One is the simplified version that Disney has given us, the version most people are familiar with. The other is The Real Thing, The Original. Along-side The Real Thing, the simplified Disney version is like Pinocchio the puppet - charming, but wooden and simple. The Real Thing, however, is like Pinocchio the real boy - charming, and full of life. This edition by Carlo Collodi is that Real Thing.
Although story of Pinocchio is a tale known to nearly every speaking child, it was first written in Italian. Written by Carlo Lorenzini under the pseudonym Carlo Collodi, it dates back to 1883, when it was serialized in a newspaper and then published as a book with huge success. The 1892 English version was equally well received, but it was the 1940 Walt Disney cartoon that gave Pinocchio the legendary status it enjoys today. Only one problem: Disney took short cuts. Collodi's original story has a richness and charm unmatched by Disney. Collodi's Pinocchio is not about a loveable puppet, but about a bratty puppet who needs to learn an important moral lesson about responsibility. And it resonates with slapstick humour that even Disney cannot equal.
Take the first paragraph: "There was once upon a time ... A king! My little readers will shout together. No, children, you make a mistake. Once upon a time there was a piece of wood." Collodi goes on to relate how this piece of wood is first owned by a carpenter called Mr. Antonio Cherry. When his friend Mr. Geppetto comes to visit, the wood causes a great fight between the two friends by talking and calling Geppetto his hated nickname of Polendina. Geppetto is convinced it is Antonio who is doing the name-calling: "They seized one another's wigs, and even hit and bit and scratched each other. At the end of the fight Geppetto's yellow wig was in Mr Antonio's hands, and the carpenter's grey wig between Geppetto's teeth. `Give me my wig!' said Mr Antonio. `You give me mine, and let us make a peace treaty!' So the two little old men, each taking his own wig, shook hands, and promised to be good friends forever." But moments later, the fighting and name calling resumes ("Blockhead!" "Donkey!" "Ugly monkey!". When peace is restored, with honours even, "they shook hands again, and vowed to be good friends for ever. Then Geppetto took the piece of wood and, thanking Mr Antonio, went limping home." And so that's how Geppetto ends up with the wood that later became Pinocchio.
This is just a small taste of the sparkling and rich humour that is largely absent from most contemporary renditions of this famous tale. Taking their cue from Disney, most modern stories have retained Collodi's story-line, but lost the delightful humour. The Original is darker in tone than the simplified version (assassins try to murder Pinocchio and leave him swinging from a tree, and Pinocchio's threatened punishment of death for failing to take his medicine is announced by the appearance of rabbit undertakers) , but also has a wealth more action, excitement, and humour. As long as you're only familiar with the simplified version of Pinocchio, you'll think of Pinocchio as a wooden and old story for little kids. But anyone who is familiar with The Real Thing, The Original by Carlo Collodi, knows that just like Pinocchio himself, the Real Pinocchio story is in the end no wooden puppet, but a living and breathing classic.
56 of 56 people found the following review helpful.
2005 revised unabridged edition illustrated by Innocenti
By Xtopher Xtopher
First off, to clear things up, this page contains a few reviews of other editions of Pinocchio, which should be seperated out by their proper ISBN numbers. This review refers to the 2005 hardcover from Creative Editions. This is a revised version, first published in 1998, this edition features a new translation of the full, unabridged text, more lyrical than some older translations, and quite faithful to the original Italian text. Also, this edition has several additional illustrations, and has been handsomely re-designed. Altogether, I find this to be my absolute favorite edition of Pinnocchio, and I even bought it again, to replace my much-loved earlier edition. I prefer the new translation to the older translation used before, and the addition of more illustrations and the re-design make this a superior edition.
I first found this book in a thrift store, and the inscription indicated it was a misguided gift to a young child from his grand-parents... Don't make this mistake, this version of Pinocchio is definitely not intended for young children. Parents may want to look elsewhere if they are expecting a tame children's book. This is a sophisticated and somewhat graphically illustrated edition, and it is not the Disney-fied version of Pinocchio that many people expect. If you are unfamiliar with the differences between the original story, and the popular sanitized versions, you might be shocked at first. The story is actually very dark, brutal, & surreal, and the illustrations of, say, Pinocchio getting hung in a tree, are really too dark for very young children.
That being said, I still whole-heartedly recommend this edition for older readers wanting an artistic and unexpurgated version of this incredible tale. This is one of the best modern translations of the text I've read, so I would recommend it to literature students and people interested in Italian folklore over most of the other versions available.
The artwork is what drew me to this book when I first saw it. You simply must see these illustrations to appreciate them. The detailed, large-scale, and subtlely colored drawings are a moody and perfect accompaniment to this version of the text. I pick this book up often, just to look at the amazing pictures and re-read some of my favorite parts.
Overall, I am thrilled with this revised edition of a book I already considered a classic among illustrated books. I recommend it to scholars of folklore, lovers of sophisticated illustrated books, and curious readers looking for a dark, surreal and wondrous book.
64 of 66 people found the following review helpful.
Rabbit Undertakers and a Dead Girl
By Gillian M. Kendall
This is not Disney's watered-down and water-logged *Pinocchio* -- this is the book that has the real stuff, and if children like the Disney movie, it's because they're getting a hint of the wonders of Collodi's book.
First: my five year old insisted I read this book to him twice in a row. Yes, I left out the part where Pinocchio actually bites off the paw of a cat and spits it out, but my boy revelled (from the safe distance of bed and sippy cup in hand) in the assassins who pursue Pinocchio, try to kill him, and leave him swinging from a tree. The incidents in this book are highly evocative: a little girl announces that all the people in a house are dead (she included); rabbit undertakers appear when Pinocchio won't take his medicine; Pinocchio is almost fried as a fish (and drowned, and hanged, etc.). There's a talking cricket, but he's annoying and, happily, does *not* burst into song.
Second: This book centers around dream-logic. The book makes mechanical gestures towards cause and effect, but it really works the way a child thinks and the way a child worries -- it reassures a child that not everything that happens is reasonable. Perhaps Collodi meant this book to be moralistic -- certainly there are lessons constantly to be learned. But that the least of this text: this is a story about a boy who can't quite be a boy because he's naughty and disobedient, and he finds it isn't easy *not* to be naughty. Grown-ups have all sorts of rules, and a lot of them don't make much sense. After all, we all come into this world not yet human, and we all struggle to figure out what is expected of us.
The illustrations are are pleasing and plentiful, and I know it will only be a matter of time before my five year old asks for the story again. I'll be glad to read it. The worth of the tale is far greater than the worth of the simple (but good) morals it contains.
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