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Waiting for Godot: Tragicomedy in 2 Acts, by Samuel Beckett
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Samuel Beckett, one of the great avant-garde Irish dramatists and writers of the second half of the twentieth century, was born on 13 April 1906. He died in 1989. He won the Nobel Prize for Literature in 1969. The centenary of his birth was celebrated throughout 2006 with performances of his major plays, but the most popular of them all will be, without doubt, the play with which he first made his name, Waiting for Godot. It opened the gates to the theatre of the absurd as four men appear on the stage, apparently with purpose but (perhaps) waiting for someone called Godot. It is stark, funny, bemusing and still deeply affecting half a century since its first production. In this new recording for audiobook, John Tydeman, for many years head of BBC Radio Drama, takes a fresh look at one of the milestones in Western drama. It follows the highly acclaimed recordings of Beckett's Trilogy, Molloy, Malone Dies and The Unnamable published by Naxos AudioBooks.
- Sales Rank: #3584873 in Books
- Brand: Brand: Paw Prints 2008-06-26
- Published on: 2008-06-26
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 5.50" w x .50" l,
- Binding: Library Binding
- 111 pages
- Used Book in Good Condition
Review
“One of the true masterpieces of the century.” —Clive Barnes, The New York Times
“One of the most noble and moving plays of our generation, a threnody of hope deceived and deferred but never extinguished; a play suffused with tenderness for the whole human perplexity; with phrases that come like a sharp stab of beauty and pain.”
—The Times (London)
“Beckett is an incomparable spellbinder. He writes with rhetoric and music that . . . make a poet green with envy.” —Stephen Spender
“Reading Beckett for the first time is an experience like no other in modern literature.”
—Paul Auster
“[Godot is ] among the most studied, monographed, celebrated and sent-up works of modern art, and perhaps as influential as any from the last century. The nonstory of two tramps at loose ends in a landscape barren of all but a single tree, amusing or distracting themselves from oppressive boredom while they wait for a mysterious figure who never arrives, the play became the ur-text for theatrical innovation and existential thought in the latter half of 20th century.” —Christopher Isherwood, The New York Times
About the Author
Samuel Beckett was born in Ireland in 1906. His plays Waiting for Godot and Endgame revolutionized modern theater, and his trilogy Molloy, Mallone Dies, and The Unnamable ranks among the major works of twentieth century fiction. He died in Paris in 1989.
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Most helpful customer reviews
5 of 5 people found the following review helpful.
Defining A Classic
By Richard C. Geschke
After reading the screenplay of Waiting for Godot I did many things. I laughed, I scratched my head, I wondered who this Godot was and I tried to find the elusive plot and meaning of it all. In all, maybe it was Mr. Beckett's primary intention to have all the theater goers go mad!
The essence of this two act play revolves around two longtime friends by the names of Vladimir and Estragon who are in search of a character called Godot. The reader or theater goer never really knows who Godot is. Is it the search for God? Could be but who knows. Godot could represent anyone or anything.
Beckett gives the impression that Vladimir and Estragon are hobo-like characters who wear bowler's hats and carry on a most nonsensical and repetitious continuing conversation. In fact most of their dialogue is very much like Abbot and Costello's Who's On First. The dialogue goes in circles much like Abbot and Costello.
Also another comedy team comes to mind as I read on in what can only be called a farce of a play dominated by absurd allusions. As Vladimir and Estragon continue with their absurd conversations along comes two other characters which add more speculation into what seems to be like the rabbit in Alice In Wonderland added confusion and wonderment in that rather absurd tale. These characters named Pozzo and Lucky add their own comedic scheme to this rather confusing and jumbled tale. When the seemingly intellectually challenged Lucky, who has the IQ of Rocky Balboa, breaks into an outright intellectual diatribe it made me laugh so hard like I remember when I watched old Laurel and Hardy routines as a young boy.
The play's meaning and plot is an open book. It can mean anything to anybody. It is full of symbolism and begs for a solid debate. To me it represents life and that life in and of itself at times lacks meaning, shows comedy and can be disappointing and hard to really understand. After seeing this play on February 2, 2014 on Broadway I can compare the play to one TV Series that being "Seinfeld" and the classic movie titled "Groundhog's Day." These are the current comparisons but in the end this play represents a mystery for us to interpret. I'll stick with Groundhog's Day!!!
For some reason this play should probably be read and seen multiple times to gain what was in Beckett's mind. I can see why this play is considered a classic. It has all the elements of what the word classic is all about.
3 of 3 people found the following review helpful.
One of the Best Plays representing Theatre of the Absurd
By Gubio3
Waiting for Godot, End Game, Krapps Last Tape, and Happy Days are some of Samuel Beckett's best works. These plays are existential and very bleak. The heros of these plays are 'everyman.' These characters live dark, seemingly meaningless existences; however, what makes them heroic is that despite their dark oppressive lives, they continue trying. Happy Days is probably the brightest of all of these plays because it ends on a relatively positive note, but I think Waiting for Godot and End Game are Beckett's finest.
Waiting for Godot is about two characters, Vladimir and Estragon, who are waiting in what seems like a post apocalyptic world, on a road, near a tree. What are they doing? They are waiting for Godot. We don't meet Godot. We don't really know who Godot is. He could be God. As they wait, they sort of discuss philosophical and biblical themes and ideas. These moments provide interesting insights on both. There is no plot. Nothing happens. And, we begin and end the play with these two characters on the road. However, the journey in Beckett's plays are not made by the characters. It is the viewers who are changed. We, along with these characters, are waiting. Ultimately, we need to decide who or what we are waiting for and if it is worth it.
I love Samuel Beckett. I love Theatre of the Absurd.
1 of 1 people found the following review helpful.
And while that would seem like a bad thing - all this waiting with zero ...
By ace1339
"Waiting for Godot" explores Existential philosophy in the form of an absurd, random play. Samuel Beckett uses the easy-to-understand format of two men waiting for their companion Godot to allude to the human condition through Existentialism. The play lacks any true plot (other than the waiting) and there isn't much character development (Vladimir and Estragon wait for Godot despite the fact that he stands them up every day). And while that would seem like a bad thing - all this waiting with zero outcome - isn't that exactly what we spend our whole lives doing? We wait in line, in traffic, for work to end, for a vacation, etc. Stunningly close to our everyday lives, "Waiting for Godot" is a maddening and confusing play that rings true for every reader
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